[Tig] Is there anybody out there
Adrian Thomas
adrian at autotv.co.uk
Wed Aug 2 01:59:17 PDT 2006
Film only has a wider NON-LINEAR dynamic range. When I was at
university, we generally only measured contrast, dynamic range et al
from the straight portion of the HD curve. If one does that, film
seems quite poor compared to a typical CCD. Some CCD designs attempt
to mimic the highlight handling abilities of film, with impressive
results:-
http://www.dpreview.com/reviews/fujifilms3pro/
and here's another eye-opener:-
http://www.clarkvision.com/imagedetail/dynamicrange/index.html
and another:-
http://www.clarkvision.com/imagedetail/digital.signal.to.noise/
index.html
--
Adrian Thomas
Automatic Television
35 Bedfordbury
London WC2N 4DU
www.autotv.co.uk
--
On 2 Aug 2006, at 03:02, Bob Friesenhahn wrote:
>
> It seems to me that the mean reason why film is still considered
> "better" than electronic capture is due to the wider dynamic range
> of film. But high end electronic capture provides sufficient
> dynamic range and usually looks cleaner than film originated
> material. "HD" usually signifies Rec.709 colorspace which implies
> a specifically limited gamut most suitable for unaltered
> reproduction and not for substantial post-production.
>
> Another issue is that electronic capture based on a Bayer pattern
> may not provide as much actual resolution as a film transfer since
> RGB values are computed from a dithered spacial matrix. The real
> resolution obtained from a Bayer sensor depends quite a bit on the
> honesty of the camera vendor.
>
> The nyquist sampling theorem (http://en.wikipedia.org/wiki/Nyquist-
> Shannon_sampling_theorem) which is often used to explain sampling
> resolution actually only applies to *sine* waves so if the image
> data (or harmonic thereof) does not perfectly fit a sine wave of
> 1/2 the sampling frequency, then the actual supported resolution
> must be lower. According to fourier analysis, any waveform may be
> recreated using sine waves of particular frequency and amplitude.
> In order to be able to replicate the original, one must be able to
> replicate the sine waves. The output replicated from the samples
> must be perfectly low-pass filtered to allow only sine waves up to
> 1/2 the sampling frequency to be passed. Film is reputed to support
> as much as 6K resolution in 35mm (evaluated by projecting in
> "analog" form on a screen) so it has a spectral advantage over "HD".
>
> One last issue is that most HD capture sensors are smaller than
> 35mm so it is more difficult to produce the high Modulation
> Transfer Function (MTF) lenses (back to fourier theory!) required
> to apply the same resolution image on these smaller sensors.
>
> BRRE. QED.
>
> Bob
> ======================================
> Bob Friesenhahn
> bfriesen at simple.dallas.tx.us, http://www.simplesystems.org/users/
> bfriesen/
> GraphicsMagick Maintainer, http://www.GraphicsMagick.org/
>
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