[Tig] Barco 2k projector for post work - DP90KP

[Jan Fröhlich]

--
Thanks to oktobor for supporting the TIG
--
Chris,

According to our measurements and my human vision the DP90KP offers a purer 
red an green (and a little bit purer blue) than the competing DLP-Cinema 
products. I did not recognise any change in contrast/blacklevels.

Compared to non DLP-cinema products I love the JVC-QX-1 for HDTV-grading but 
I have never seen a cineon setup with the QX-1 matching film as accurate as 
it is possible to do with the DLP-cinema products.

I can not say anything about the sony 4K projector as I have only seen it on 
trade fairs and not jet in a real world grading suite setup.

I would not recommend using CRT monitoring for digital intermediate work.

Jan Fr?hlich {{{ who is working a lot now as germany has to catch up on 
day-to-day business because the football worldcup is over (-;  }}}
Digital Lab Supervisor
CinePostproduction GmbH & Co. KG


----- Original Message ----- 
From: "Chris Swinbanks" <cws at al.com.au>
To: "Jan Fr?hlich" <jan at flybynight.de>
Sent: Tuesday, July 11, 2006 5:17 AM
Subject: Re: [Tig] Barco 2k projector for post work - DP90KP


> Jan,
>
> By this statement, do you mean the extended gamut is an improvement over 
> the other Barco 2k projectors (DP90/100) or just over other digital 
> projectors or CRT monitoring/grading systems in general terms?
> Would be interested in some more detail on what improvement you are seeing 
> from the new model, eg better black, better colour saturation, etc etc.
> regards
> Chris
>
>
> Jan Fr?hlich wrote:
>
>> -- 
>> Thanks to oktobor for supporting the TIG
>> -- 
>> Hi,
>>
>> As one of Kodaks testsites for the DP90KP we're using this projector for 
>> over 3 months now. The extended gamut is a big step forward to matching 
>> digital projection to analog prints. Especially if you plan to do 
>> opticals and VFX-work that has to fit exactly into a film that is mainly 
>> posted analog.
>>
>> Jan Fr?hlich
>> Digital Lab Supervisor
>> CinePostproduction GmbH & Co. KG
>>
>
> -- 
> Chris Swinbanks
> Supervisor
> Post Services
> ph 02 9383 4860
> mb 0418 411 499
> ______________________________________________________________
> Animal Logic Film
> Bldg 54  Fox Studios Australia,  38 Driver Ave,
> Moore Park   NSW  2021  Australia
> telephone: +61 2 9383 4800  fax: +61 2 9383 4801  cws at al.com.au
> http://www.animallogic.com/
> 


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