[Tig] butterfly

[timothy norman huber]

I've only seen the flip done on the digital side, so I don't know how  
a flip would be done with a print.

BTW, the effect is similar to a Rorschach inkblot test.   Certainly  
brings new perspective to your material.


On Oct 19, 2006, at 7:06 AM, woz wrote:

> Thanks for the reply
> I'd never have guessed that one, so it's split-screen with a  
> reversal of image on one side... then you are seeing the same part  
> of the image on both sides of the screen if  I've understood that  
> correctly?
> Is the reversal of image done optically or is the print reversed?  
> Presumably the projectors use different light sources?
> Has it ever been tested with "identical" (if that's possible)  
> prints so that you can't see the join or is it not that accurate?
>
> woz(itv/3sixtymedia)
> ----- Original Message ----- From: "timothy norman huber"  
> <timothyhuber at mac.com>
> To: <tig at tig.colorist.org>
> Sent: Thursday, October 19, 2006 3:32 AM
> Subject: Re: [Tig] LAD Prints!!
>>
>>
>> butterfly mode:  two projectors running side by side on the same   
>> screen. each has a scrim blocking one half of their respective   
>> images, the left half of the image is reversed.   used for side  
>> by  side comparison.
>>
>>
>> On Oct 18, 2006, at 8:36 PM, woz wrote:
>>
>>> TIG is supported by subscribers.
>>> see http://tig.colorist.org for  donation button interface.   
>>> Thanks to
>>> everyone listed at http://www.colorist.org/wiki3/index.php/ 
>>> Supporters
>>> --
>>>
>>> What is 'butterfly'  mode please?
>>> woz
>>> ----- Original Message ----- From: "Saiprasad" <sai at efxmagic.com>
>>> To: <tig at tig.colorist.org>
>>> Sent: Thursday, October 19, 2006 1:13 AM
>>> Subject: [Tig] LAD Prints!!
>>>
>>>> --
>>>>
>>>>
>>>> Hello,
>>>> Need some advice. When a DI is done and the print is viewed in
>>>> butterfly mode with the Digital source, there is a difference  
>>>> seen  and that
>>>> is attributed to the printing process and the developing  
>>>> process.  This gets
>>>> to be a Russian roulette scenario. Is it common and how does  
>>>> one  deal with
>>>> it. What about the projector lamp color variation as well. is   
>>>> there a way to
>>>> filter the color temperature of the film projector or as am I   
>>>> being silly ?
>>>>
>>>> Is there a way to profile the film projector just as we do the   
>>>> digital
>>>> projectors and accommodate the drift into the equation. If  
>>>> there  are any
>>>> solutions out there could you share them either on or off list.   
>>>> Does the
>>>> film print look a bit more softer (film look) without really  
>>>> being  soft ..
>>>> you get what I mean ..
>>>>
>>>> Thnx
>>>>
>>>> Sai
>>>> sai at efxmagic.com
>>>> PRASAD COPORATION
>>>> 940, N. Orange Drive
>>>> Hollywood, CA - 90038
>>>> Tel: 323-315-5716
>>>> Fax: 323-962-1109
>

timothy norman huber
DP/Colorist
Switch Studios
venice

switch-studios.com
timothyhuber at mac.com