[Tig] Tig-announce Digest, Vol 7, Issue 2
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Thu Feb 8 11:42:57 PST 2007
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The commercial side of the TIG. for mfrs and vendors
please contact rob at colorist.org
Today's Topics:
1. CTM Debrie at NAB 07 and representation (Rob Lingelbach)
2. Digital Vision (Rob Lingelbach)
3. Fwd: Digital Vision (Rob Lingelbach)
----------------------------------------------------------------------
Message: 1
Date: Thu, 8 Feb 2007 17:11:19 -0200
From: Rob Lingelbach <rob at colorist.org>
Subject: [Tig-announce] CTM Debrie at NAB 07 and representation
To: tig-announce at colorist.org
Message-ID: <51EFB2FD-C853-4868-80B3-6E61CA2B93CB at colorist.org>
Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
I would like to invite all of your subscribers to visit us at NAB
2007 in Las Vegas April 14th - 19th we are Stand SL2528. We will be
displaying the Harmony a HD Telecine and our new American Distributor
will also be on the stand. We will be able to talk to you about all
of our other equipment and the support we can give you, if you like a
demonstration of the Harmony please contact me chris at ctmdebrie.com
giving me the date/s you will be at NAB I will book a time for you.
We would like to announce our new and exclusive American distributor
is Joel Marshall, of the Atomic Film Company, 607 S. Glenwood Pl,
Burbank, CA. Tel (323) 462 6200 Fax (323) 464 9100 Atomic will
represent CTMDebrie in the USA, giving full sales and engineering
support to all of our customers.
------------------------------
Message: 2
Date: Thu, 8 Feb 2007 17:27:06 -0200
From: Rob Lingelbach <rob at colorist.org>
Subject: [Tig-announce] Digital Vision
To: tig-announce at colorist.org
Message-ID: <C2918F11-0ED6-42F1-B235-D4E13DE0A14A at colorist.org>
Content-Type: text/plain; charset="windows-1252"
Digital Vision: South Hall, booth number SL3205
At NAB we will be presenting our latest generation of our Digital
Intermediate, Image Processing and Restoration systems, including:
Digital Cinema Initiatives (DCI) Compliance All of Digital Vision’s
products now support DCI. The latest version of the award-winning
DVNR supports 2048x1080 at 23.98Hz, 24Hz and 25Hz, and the company’s
Film Master digital intermediate system provides 12 bit per component
monitoring from the timeline and XYZ colourspace export to the DCI
TIFF file format. Digital Vision’s compliance demonstrates the
company’s leadership in helping its customers to address increasing
demand for D Cinema masters along with HD video and other growing
digital delivery formats.
Advancing Tapeless Mastering – Support for Avid DNxHD encoded media
To further advance tapeless mastering for broadcast programming,
Digital Vision is collaborating with Avid Technology to build support
for Avid DNxHD® decoding/encoding into the Film Master DI system. As
a first step, Digital Vision has obtained permission from Avid to
redistribute an Avid DNxHD codec (the first company to do so under
Avid’s new Avid DNxHD codec licensing program). This codec will be
integrated into the Film Master system to directly access Avid DNxHD
encoded media.
Film Master version 3.5 At NAB, Digital Vision will be giving users
their first look at Version 3.5 of Film Master – which will also ship
at that time. The newest version includes a range of features,
performance improvements and workflow enhancements, including; • A
new keyer with edge control and de-speckle filter, which provides
cleaner keys • C-Mode list event order with optional handles and
colour correction Revert capability. • New features for the control
panel including tint and pan / scan control from the trackballs,
automatic undo / redo memory and improved control sensitivity for all
analogue controls. • Significantly improved processing performance
for Digital Vision Optics, a unique toolset that enables users to
manage grain/dust within the Film Master interface. New anti-Alias
and De-field filters are included along with real-time display of
Dust detection. • An interface update that includes interactive
feedback on pre-emptive background processing of shots and frames. •
The ability to recursively filter and import media from a folder
hierarchy, enabling users to automatically building a list without an
EDL. 12 bit DPX and QuickTime formats are supported for i/o. •
Intuitive auto and proximity based key-frame creation and adjustment
enhancements to Film Master’s dynamic animation • The ability to
perform scene detection faster than playback, as a background task. •
Support for the DVS Centaurus video card including 2K HSDL 15fps i/o;
and for 10 bit RGB 444 SDI output monitoring. Audio i/o is now
available through either the Bluefish444 Lust or DVS Centaurus video
cards, capturing multiple audio channels along with video to
Broadcast Wave files.
Enhanced DVO Restoration Suite Digital Vision has enhanced its
Digital Vision Optics tools, which cater for a wide range of
restoration and re-mastering tasks. DVO Dust now enables uses to
individually correct auto-detected defects. DVO Fix now provides
flexible area selection of larger and more complex defects associated
with degraded film such as blotches and staining and physical damage.
Employing Digital Vision's award-winning motion-estimation technology
to automatically in-fill with motion and grain-compensated imagery
provides seamless results.
Time-based Licensing for DVNR 2k The Digital Vision Noise Reducer is
now available with Time Based Licensing, enabling facilities to match
their expenditure on DVNR functionality to project needs. This, along
with DCI compliance, brings the benefits of the award winning DVNR to
a wider market.
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Message: 3
Date: Thu, 8 Feb 2007 17:40:54 -0200
From: Rob Lingelbach <rob at colorist.org>
Subject: [Tig-announce] Fwd: Digital Vision
To: tig-announce at colorist.org
Message-ID: <C7F8808A-DE11-419D-8A78-617D5CEEFA51 at colorist.org>
Content-Type: text/plain; charset="windows-1252"
Begin forwarded message:
> From: Rob Lingelbach <rob at colorist.org>
> Date: February 8, 2007 5:27:06 PM GMT-02:00
> To: tig-announce at colorist.org
> Subject: Digital Vision
>
> Digital Vision: South Hall, booth number SL3205
>
> At NAB we will be presenting our latest generation of our Digital
> Intermediate, Image Processing and Restoration systems, including:
>
> Digital Cinema Initiatives (DCI) Compliance All of Digital Vision’s
> products now support DCI. The latest version of the award-winning
> DVNR supports 2048x1080 at 23.98Hz, 24Hz and 25Hz, and the
> company’s Film Master digital intermediate system provides 12 bit
> per component monitoring from the timeline and XYZ colourspace
> export to the DCI TIFF file format. Digital Vision’s compliance
> demonstrates the company’s leadership in helping its customers to
> address increasing demand for D Cinema masters along with HD video
> and other growing digital delivery formats.
>
> Advancing Tapeless Mastering – Support for Avid DNxHD encoded media
> To further advance tapeless mastering for broadcast programming,
> Digital Vision is collaborating with Avid Technology to build
> support for Avid DNxHD® decoding/encoding into the Film Master DI
> system. As a first step, Digital Vision has obtained permission
> from Avid to redistribute an Avid DNxHD codec (the first company to
> do so under Avid’s new Avid DNxHD codec licensing program). This
> codec will be integrated into the Film Master system to directly
> access Avid DNxHD encoded media.
>
> Film Master version 3.5 At NAB, Digital Vision will be giving users
> their first look at Version 3.5 of Film Master – which will also
> ship at that time. The newest version includes a range of features,
> performance improvements and workflow enhancements, including; • A
> new keyer with edge control and de-speckle filter, which provides
> cleaner keys • C-Mode list event order with optional handles and
> colour correction Revert capability. • New features for the control
> panel including tint and pan / scan control from the trackballs,
> automatic undo / redo memory and improved control sensitivity for
> all analogue controls. • Significantly improved processing
> performance for Digital Vision Optics, a unique toolset that
> enables users to manage grain/dust within the Film Master
> interface. New anti-Alias and De-field filters are included along
> with real-time display of Dust detection. • An interface update
> that includes interactive feedback on pre-emptive background
> processing of shots and frames. • The ability to recursively filter
> and import media from a folder hierarchy, enabling users to
> automatically building a list without an EDL. 12 bit DPX and
> QuickTime formats are supported for i/o. • Intuitive auto and
> proximity based key-frame creation and adjustment enhancements to
> Film Master’s dynamic animation • The ability to perform scene
> detection faster than playback, as a background task. • Support for
> the DVS Centaurus video card including 2K HSDL 15fps i/o; and for
> 10 bit RGB 444 SDI output monitoring. Audio i/o is now available
> through either the Bluefish444 Lust or DVS Centaurus video cards,
> capturing multiple audio channels along with video to Broadcast
> Wave files.
>
> Enhanced DVO Restoration Suite Digital Vision has enhanced its
> Digital Vision Optics tools, which cater for a wide range of
> restoration and re-mastering tasks. DVO Dust now enables uses to
> individually correct auto-detected defects. DVO Fix now provides
> flexible area selection of larger and more complex defects
> associated with degraded film such as blotches and staining and
> physical damage. Employing Digital Vision's award-winning motion-
> estimation technology to automatically in-fill with motion and
> grain-compensated imagery provides seamless results.
>
> Time-based Licensing for DVNR 2k The Digital Vision Noise Reducer
> is now available with Time Based Licensing, enabling facilities to
> match their expenditure on DVNR functionality to project needs.
> This, along with DCI compliance, brings the benefits of the award
> winning DVNR to a wider market.
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