[Tig] crushing blacks and whites in film

Tim Stipan stipantim at yahoo.com
Wed Nov 7 06:19:59 PST 2007


Hi Bart,

What print stock are you going to? 

Fugi, Kodak Vision, Premiere? 

You need to do a filmout test. Take a couple of
scenes, 30-60 seconds and film it out to the
productions chosen stock (hope your LUT is emulating
the stock!!) 

Lots of people crush blacks and blowout whites but
they have tested this look before doing an entire
feature that way!


Best of luck!

Tim

--- "bart.verraest at pandora.be"
<bart.verraest at telenet.be> wrote:

> Thanks to Assimilate Inc. for supporting the TIG.
>  ====
> 
> Hi,
> 
> I am interested in hearing from film colorists out
> there how far they go when they crush their whites
> and blacks to achieve a certain look in film and if
> anybody has had any bad surprises when doing so. I
> am working on a feature film in Dublin called
> "Kisses" by Lance Daly using Assimilate Scratch, an
> ecinema monitor and Cinespace for the grading. We
> need to grade some color shots to B/W and I would
> like to crush the blacks and whites to achieve a
> look that I used to create as a B/W photographer.
> 
> Grateful for any tips,
> 
> Bart Verraest
> 
> 
> 
> _______________________________________________
> No personal abuse; absolutely no advertising or
> marketing on the main TIG mailinglist.  Emergency
> tig contact address is rob (at) calarts.edu
> Tig mailing list
> Tig at tig.colorist.org
> http://tig.colorist.org/mailman/listinfo/tig
> 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 




More information about the Tig mailing list