[Tig] crushing blacks and whites in film

[Adam Inglis]

I would suggest that it may be worth testing vision stock too, to show what a grade intended for premiere stock will look like if printed on vision. There's always the possibility that the production may change their minds at the last minute, maybe after the DI is finished, when they realise how much their bulks will cost. 
 
Adam Inglis
Colourist 
Deluxe Digital London

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Cinespace is guiding us through this.
We have a customised LUT for the lab and the Kodak premier print stock.
It still seems to be difficult to avoid a color cast anyway, a test will make that clear indeed.