[Tig] crushing blacks and whites in film

[Tim Stipan]

Good point. Becuase Premiere is so much more expensive then Vision, it is highly unlikely all prints will be struck to Premiere.



Tim 



-----Original Message-----

From: "Adam Inglis" <Adam.Inglis at capital-fx.co.uk>

To: "bart.verraest at pandora.be" <bart.verraest at telenet.be>; tig at tig.colorist.org.

Sent: 11/7/2007 11:17 AM

Subject: Re: [Tig] crushing blacks and whites in film



Thanks to Assimilate Inc. for supporting the TIG.

 ====



I would suggest that it may be worth testing vision stock too, to show what a grade intended for premiere stock will look like if printed on vision. There's always the possibility that the production may change their minds at the last minute, maybe after the DI is finished, when they realise how much their bulks will cost. 

 

Adam Inglis

Colourist 

Deluxe Digital London



________________________________





Cinespace is guiding us through this.

We have a customised LUT for the lab and the Kodak premier print stock.

It still seems to be difficult to avoid a color cast anyway, a test will make that clear indeed.



_______________________________________________

No personal abuse; absolutely no advertising or marketing on the main TIG mailinglist.  Emergency

tig contact address is rob (at) calarts.edu

Tig mailing list

Tig at tig.colorist.org

http://tig.colorist.org/mailman/listinfo/tig