[Tig] Tig-announce Digest, Vol 19, Issue 1

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The commercial side of the TIG.   for mfrs and vendors 
please contact rob at colorist.org

Today's Topics:

   1. Fwd: Demonstration of ASC CDL for ASC membership (Rob Lingelbach)


----------------------------------------------------------------------

Message: 1
Date: Fri, 16 Nov 2007 00:25:54 -0200
From: Rob Lingelbach <rob at colorist.org>
Subject: [Tig-announce] Fwd: Demonstration of ASC CDL for ASC
	membership
To: tig-announce at colorist.org
Message-ID: <3903BEB3-924D-4AD1-B8B6-F06C9DF5B1DB at colorist.org>
Content-Type: text/plain; charset=WINDOWS-1252; delsp=yes;
	format=flowed



Begin forwarded message:

> From: Gamma & Density <gamma-1 at earthlink.net>
> Date: November 15, 2007 10:05:24 PM GMT-02:00
> To: Rob Lingelbach <rob at colorist.org>
> Subject: Demonstration of ASC CDL for ASC membership
> Reply-To: Gamma & Density <gamma-1 at earthlink.net>
>
> Hi Rob,
>
> Would it be possible to put this info on TIG? This info was  
> "cleared" by ASC and DaVinci-LA
>
> Regards,
>
> Yuri Neyman,
> Gamma and Density Co.
> www.gammaanddensity.com
> 1041 N. Formosa Ave,
> W. Hollywood, CA 90046
> office      +323-850-2845
> fax          +323-850-2842
> cell         +818-486-4916
>
>
> Demonstration of ASC CDL (American Society of Cinematographers  
> Color Decision List) for ASC membership
>
>
> Hollywood, CA ? November 15th 2007  - On October 29th 2007 da Vinci  
> Systems (www.davsys.com) and Gamma & Density Co.  
> (www.gammaanddensity.com) took part in the first demonstration of  
> the ASC CDL (Color Decision List) functionality for the ASC  
> membership at the ASC Clubhouse in Hollywood. The ASC CDL has been  
> developed by members and contributors of the ASC Technology  
> Committee to provide an industry ?standard? for cross-platform  
> exchange of primary RGB color correction data using Offset (lift),  
> Slope (gain), and Power (gamma) functions.
>
> The 3cP System was used for "on-set" color correction with the live  
> color correction settings saved as ASC CDL XML files, which were  
> transferred to a da Vinci Resolve system using a USB memory stick.  
> The images were then available on the da Vinci system with the 3cP  
> "on-set" color corrections intact, ready for final grading,  
> providing full continuity of the DP?s original vision.
>
> Images from the two systems were compared so the audience could see  
> there was no difference in color, contrast, saturation, or  
> brightness between the 3cP on-set color correction images and  
> images from the da Vinci Resolve system.
>
> It was also demonstrated that the ?on-set? color corrections were  
> entirely reversible or modifiable after transfer to the da Vinci  
> system. This is not the case when using 3D LUTs to transfer color  
> corrections. Once a LUT is created, it can either be applied or  
> not, but It cannot be further modified.
>

--
Whenever people agree with me I sense I must be wrong.  [Oscar Wilde]
Rob Lingelbach   rob at estudiosmega.com.br
http://www.colorist.org




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End of Tig-announce Digest, Vol 19, Issue 1
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