[Tig] Spirit vs. DSX
Ken Metzker
kenmetzker at hotmail.com
Mon Jan 21 00:11:52 PST 2008
Hi all,
I just cannot resist this subject and need to give my two bits. I am not going to go into any major details, I'll just say:
If I am doing a commercial where I know the DP is going to go in for some serious looks...give me a DSX (as long as the servo was replaced recently).
If I am doing 2 commercials in a day and they both need to be done before I go home...give me a Spirit.
ken
----------------------------------------
> To: tig at tig.colorist.org
> From: rob at colorist.org
> Date: Sat, 19 Jan 2008 18:13:24 +0200
> Subject: [Tig] Spirit vs. DSX
>
> Consider a contribution to the TIG, in its 16th
> year supported entirely by members.
> http://www.colorist.org/wiki3
> ====
>
> this is possibly going to open more than one can of worms, but I
> thought it worthwhile to hold forth on a subject that can be, well,
> subjective in the extreme.
>
> I've worked recently on a DSX and on a Spirit. Independently of
> resolution, my basic observation is as follows:
>
> DSX: Depth. "filmic." images that bring a feeling of film in the
> sense of having the properties of film. Very hard to put into words.
>
> Spirit: Color rendition much better than DSX, in separation terms.
> Certain hues, in particular cyan, are more faithful and seem to defy
> the CIE colorspace and the phosphors of our trusty Sonys. But: a
> flatter image than DSX - initially lacks depth (the portuguese word
> serves it well: profundidade) but can be adjusted and perfected by
> good colorist with various tools.
>
> --
> Genius... means little more than the faculty of perceiving in an
> unhabitual way.
> --William James
> Rob Lingelbach http://www.colorist.org
>
>
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