[Tig] How Kodak might survive

Jean-Clement Soret jean-c at moving-picture.com
Mon Dec 3 10:39:24 GMT 2012

Hi there, whenever they can my clients shoot film, it is definitely seen as special, being different, a bit like when we used to make bleach bypass prints and all this mad stuff. It's a creative choice.

MPC London
Jean-Clement Soret
Director of Colour Grading
127 Wardour Street, Soho, London, W1F 0NL
T +44 207 434 3100

Live Colour Grading availabile with Paris | Stockholm | Oslo | Hamburg | Milan


From: Rob Lingelbach [rob at colorist.org]
Sent: 03 December 2012 04:31
To: Telecine Group
Subject: [Tig] How Kodak might survive

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>From an article in the Washington Post at http://tinyurl.com/cx7xe8k  "What Kodak could still learn from Polaroid":


As it turns out, the film business has fallen so far that it may have stabilized. As Mooney said, among professionals, “there isn’t that much digital incursion left.” In the past year, Kodak film sales have, for the first time in more than a decade, gone up rather than down."

Yes, the remaining buyers of film are weighing this technology against digital methods of image-making. But they’re not choosing film for reasons of economy; it could never compete. They are choosing it for a particular look and feel, and because they want to differentiate themselves. Some are old-school professionals who prefer to work in familiar ways. Others are people who “have gone to digital and come back,” Mooney said, “and it’s hard to quantify how many, but they’ve come back for workflow or aesthetics or because they want to stand out.” And then there are the hipster kids, “the younger creative crowd that grew up with digital and moved to film, Mooney said, “and we hear that group is growing.”

Polaroid almost caught that wave, but its shutdown came just a hair too early. In 2004, its managers decided to stockpile a decade’s worth of chemicals and components for instant film and to let the supply lines dry up. Then, went the thinking, it could cash out, selling off the real estate. Over the next few years, as demand slowly began to pick up — from the three groups mentioned above — Polaroid ran out of ingredients well ahead of schedule. There was talk of trying to get the machines rolling again, but the complex chemicals the film required, and its unique self-contained negative, which had been manufactured by Polaroid itself, were simply unavailable.

---end quote

It's worth reading the whole article.

Rob Lingelbach  http://rob.colorist.org


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