joeydanna at gmail.com
Sun Feb 26 20:37:42 GMT 2012
I missed it in theaters (newborn baby - haven't really been able to get out
of the house)
But with all this talk about how great it is, I just pre-ordered the 3d
Can't wait to check it out...I think sometimes people get caught up in the
"3d is just a gimmick" talk - and on a ton of films its true, but I
honestly love 3d when its done in such a way as to really enhance the
On Sun, Feb 26, 2012 at 3:27 PM, Mark Todd Osborne <
marktoddosborne at gmail.com> wrote:
> Sohonet http://www.sohonet.co.uk sponsors the TIG.
> Support from Nucoda www.imagesystems.tv
> Support from Blackmagic Design http://www.blackmagic-design.com/
> Rob, glad you enjoyed the film. It was a wonderful film to work on.
> Let's hope it wins some awards tonight!
> Mark Todd Osborne
> On Sat, Feb 25, 2012 at 9:06 PM, Rob Lingelbach <rob at colorist.org> wrote:
> > Sohonet http://www.sohonet.co.uk sponsors the TIG.
> > Support from Nucoda www.imagesystems.tv
> > Support from Blackmagic Design http://www.blackmagic-design.com/
> > ====
> > I had the chance recently to see _Hugo_, the Scorsese film.
> > I had to disassociate myself from my own recollections of Paris, very
> > different from
> > the process shots especially at the opening of the film (and particularly
> > in shots from
> > a bridge over the Seine that show the Louvre in the background with what
> > look like
> > cartoon renditions of trees); also the regular snowflakes and too-perfect
> > neighborhoods
> > of the arrondissements of central Paris. These might have been partially
> > responsible for the
> > 170 million dollar budget of the film, and in my humble opinion need not
> > have been so
> > elaborate. There is also a train station in a few long shots that
> > exist so close to the
> > Seine, unless I'm mistaken.
> > Yet, if you're the connoisseur of lighting that I am, you find that the
> > medium shots, the closeups,
> > the various tableaux that take you into the heart of the film, it's
> > extraordinary the play of light and
> > shadow, and the unity of color that keeps the film in its period.
> > My hearty congratulations to any of the colorists; Robert Richardson,
> > the Art Direction (10
> > people listed); and the Director, Scorsese.
> > Other than the false environment of the long aerial shots of Paris, I
> > found this film to be one of high
> > art, especially for cinematography (lighting). Story and
> > seemed to grow on me as
> > it unfolded, but there is nothing like gorgeous cinema to keep you
> > mesmerized.
> > Can anyone say what the capture medium was?
> > Rob
> > --
> > Rob Lingelbach http://rob.colorist.org
> > TIG founder/admin, colorist
> > _______________________________________________
> > http://reels.colorist.org
> > http://tig.colorist.org/wiki3
More information about the Tig