joeydanna at gmail.com
Mon Feb 27 01:29:55 GMT 2012
Yea my 3D tv is really nicely calibrated. It looked just awful out of the
box like all consumer TVs do, but ive got it looking as close to dead on
perfect as i think is possible.
Not to get into the whole active/passive debate - but i have one of the new
LG passive 3D LCDs, and short of professional projectors and passive
monitors, it is by far the best 3d monitor ive seen.
For what you pay for one, and add in the fact you get extra sets of glasses
every time you go see a 3d movie in a theater - if your in the market for a
3d tv for your house or just cheap 3d monitors for your facility -
definitely check them out.
On Sun, Feb 26, 2012 at 4:02 PM, Neil Smith <neilsm at mac.com> wrote:
> Sohonet http://www.sohonet.co.uk sponsors the TIG.
> Support from Nucoda www.imagesystems.tv
> Support from Blackmagic Design http://www.blackmagic-design.com/
> On Feb 26, 2012, at 12:37 PM, Joey D'Anna wrote:
> > Can't wait to check it out...I think sometimes people get caught up in
> the "3d is just a gimmick" talk - and on a ton of films its true, but I
> honestly love 3d when its done in such a way as to really enhance the
> You'll enjoy it … story is great ... saw it twice in two different LA
> theaters … the first time the blacks were lifted and there was a blue cast
> to the imagery … second time, the Director and his crew were in attendance
> and the projector was calibrated correctly (surprise, surprise) … what a
> difference that made to the perception of 3D … correct black and white
> points enhanced the contrast and the 3D depth perception cues … so make
> sure your 3D TV is correctly calibrated.
> At the second screening it was fascinating to hear the Director, Art
> Director and VFX Super discuss how much prep went into making the 3D in
> HUGO work as well as it did. It really is a great example of 3D being used
> in support of story telling. They planned out set-design meticulously as
> well as the blocking and shooting and VFX.
> BTW, the extra snow flakes were actually a demand of the Director … but
> agree with Rob, I thought it was slightly overdone … but then, hey, what do
> I know about making $180 million dollar movies?
> We're grading a 3D feature at the moment … it's a ghost story with a great
> twist … the filmmakers have really sussed out how to use 3D to pull the
> audience into the story .. the days of using 3D just as an 'in your face'
> gimmick are surely coming to an end … when used properly, 3D is part of a
> new grammar of visual story telling.
> Interestingly, in grading this feature, we've also learned of the
> importance of color in enhancing depth perception cues in 3D … not just in
> shot to shot color balancing but within each shot to amplify perspective
> and volume.
> Be interested to hear from other colorists who have graded 3D projects on
> their thoughts on using color to enhance the 3D experience.
> Neil Smith
> Managing Director
> Hollywood DI
> digital imagination
> West Hollywood. CA.
> 323 850 3550
More information about the Tig